USWNT line-up could backfire at Women's World Cup 2023

 The task for U.S. women’s national team head coach Vlatko Andonovski seems simple: start the best possible line-up and begin the Women’s World Cup with a strong statement of intent.

But once the squad to take on Vietnam in their tournament opener was announced, it became clear Andonovski was not playing it safe or simple.

The question, which will be answered once this World Cup is said and done: is Andonovski overthinking it, or just being shrewd? The answer certainly didn’t come Saturday at Eden Park Stadium against Vietnam (a Friday night start for fans in the U.S.), nor was it expected to. The talent differential between the two sides is large enough that a fully second-choice U.S. squad would still have been expected to win.

In the end, the USWNT won 3-0, missing a slew of quality scoring chances in the process — 28 shots in all — and it almost didn’t matter who Andonovski put on the field.

But the U.S. coach appeared to be setting the stage for a tournament where the USWNT will be difficult to predict, and the notion of the “best possible line-up” will be less straight-forward than it seems.

In previous World Cup editions it was easy to predict who a coach might start and where, but Andonovski has put together a squad without easy answers. Julie Ertz — a player who had seemingly made the roster at the last possible moment as the solution at defensive midfielder after not playing competitive soccer for two years — started at centerback.

Ertz hasn’t started as a centerback since 2019, and hasn’t played the position with regularity since years before that. But when captain Becky Sauerbrunn was a late scratch for the World Cup due to a lingering foot injury, he opted not to replace her with someone currently playing at the position.

“When we knew that Becky is not going to be able to make it, that’s something we started looking into even deeper,” Andonovski said after the game. “We had a conversation with Julie before we even tried, did a lot of work before we got into (pre-World Cup) camp in terms of video analysis.”

And yet, Andonovski didn’t necessarily have a better choice, in part because of how he constructed his World Cup roster. He could’ve instead opted to start Alana Cook alongside Naomi Girma, but then he would’ve been left with a very inexperienced central defense. Cook has 25 caps, and Girma — who is the better defender — only has 16.

Having the experience of Ertz, especially to ease the nerves in the younger Girma, was logical. After all, the only other option on this World Cup roster is Emily Sonnett, a player who has spent more time for the USWNT at fullback than centerback.

Ertz didn’t look completely comfortable in the back in her return to the role. Vietnam barely threatened, so she wasn’t exactly under pressure, but with the ball at her feet she looked unsettled at times and took unnecessary risks. She played into the game though, looking more comfortable as it went on.

“I’m glad we made the decision and I know that the back line is just going to get better and better going forward,” Andonovski said, also declining to state whether Ertz would stay in that role throughout the tournament.

Sophia Smith talks 2-goal performance in World Cup debut

Sophia Smith discusses her 2-goal performance in the United States’ 3-0 win over Vietnam.

Savannah DeMelo, a player who made the World Cup roster without having ever played for the U.S., was a surprise choice to start in the midfield, too. Before the match, Andonovski suggested the choice was based on her recent form, including a closed-door scrimmage against the Philippines here in New Zealand.

DeMelo is a playmaker who is capable of unlocking defenses and creating chances for her teammates, to be sure. However, what Andonovski has done is built a World Cup squad that hasn’t played very much together — in the case of DeMelo, she got one cap in the USWNT’s send-off coming into the World Cup opener.

That lack of time together showed. The Americans against Vietnam looked a version of what they’ve looked for much of the Andonovski era: static, sluggish and too reliant on individual flashes of brilliance.

Andonovski, for his part, is well of aware of the gamble he has taken and seems confident in his decisions, telling reporters after the match: “If you look at this team, it’s the first time that this 11 has been on the field together. They’ve never been on the field together in a game scenario for one minute, so to see some of the connections and combinations they were able to was very positive.”

But he also admitted that this USWNT didn’t look like everything the group could be.

“If there’s one thing we need to do better besides finishing, it’s how can we help the players that are in a position to finish, giving them a little bit of service,” he said. “Whether it’s finding them on the right step or the proper foot, the final touch — the service before the finish.”

For a team as attack-oriented as the U.S. and eager to play on the front foot, finishing and service are no small missing pieces. The USWNT had 297 touches in the final third compared to Vietnam’s 20, but it largely wasn’t the free-flowing and dynamic attack we’ve seen from the United States in the past. They underperformed their expected goals of 4.34, and struggled to use the flanks, trying to push through a congested middle.

And yet, everyone from the outside seemed to be expecting a redux of 2019, when the USWNT opened the World Cup with a 13-0 win over Thailand, the most lopsided result in Women’s World Cup history.

The day before Saturday’s game, a Vietnamese reporter asked Andonovski: “Are you going to crush us like against Thailand four years ago?” After the game, another Vietnamese reporter asked: “Did you expect to score more?”

It’s perhaps unfair to compare that match to this one — that Thailand team wasn’t as good or as disciplined as this Vietnam team. But this USWNT doesn’t seem to have the chemistry of that 2019 team either.

“I definitely think it’s coming together,” said defender Emily Fox of the team cohesion. “In training, we can feel that it’s coming together and we’re just going to keep building off of that. It’s the first game of the tournament so we want to keep building off of this performance.”

For a squad that has had few reps together, the chemistry needs to come together quickly. Vietnam wasn’t able to punish the U.S. for their inability to click, but the Netherlands — the runner-up from the last World Cup — is next up in group stage play.

As former USWNT coach April Heinrichs once said, “In coaching, you’re either a jackass or a genius.” The choices that Andonovski has made could be the ones that will be talked about for years to come — revered or mocked, depending on how the tournament goes.

Venice Film Festival Unveils full Jurie for in 2023 Edition

The filmmakers will be joined by Palestinian actor Saleh Bakri (Wajib); Italian director Gabriele Mainetti, who was in Competition at the festival in 2021 with Freaks Out; Argentinian writer/director Santiago Mitre, whose Argentina, 1985 premiered in Competition at Venice last year; and Chinese actress Shu Qi, known for her performances in Hou Hsiao-Hsien films Millennium Mambo, Three Times and The Assassin.

US director Poitras won the Golden Lion at last year’s festival with All The Beauty And The Bloodshed while New Zealand filmmaker won the Silver Lion for best director with The Power Of The Dog in 2021, having previously been awarded the grand special jury prize at Venice in 1990 with An Angel at My Table.

Hansen-Løve is the French writer/director eight features including Things To Come, for which she won the Silver Bear for best director at the Berlinale in 2016, and more recently One Fine Morning, which screened in Directors’ Fortnight at Cannes 2022. Irish filmmaker McDonagh was in Competition at Venice last year with The Banshees Of Inisherin and previously won best screenplay at the festival in 2017 with Three Billboards Outside Of Ebbing Missouri.

As previously announced, Oscar-winning US director Damien Chazelle will preside over the Competition jury, which will award prizes including the Golden Lion for best film.

The Horizons jury, chaired by A Chiara filmmaker Jonas Carpignano, will comprise Tunisian director Kaouther Ben Hania who was previously at Venice with The Man Who Sold His Skin; US director and artist Kahlil Joseph, who co-directed the 2017 musical film Lemonade with Beyoncé; French writer/director Jean-Paul Salomé, who was in Horizons last year with La Syndacaliste, starring Isabelle Huppert; and former BFI London Film Festival director Tricia Tuttle, who joined the UK’s National Film and Television School earlier this year.

The Luigi De Laurentiis debut film award jury, led by Saint Omer director Alice Diop, includes Moroccan actor, director and screenwriter Faouzi Bensaïdi; Argentinian filmmaker Laura Citarella, whose Trenque Lauquen premiered in Venice Horizons last year; Italian writer/director Andrea De Sica, known for Children Of The Night and Don’t Kill Me; and US writer/director Chloe Domont, whose feature directorial debut Fair Play played at this year’s Sundance and was acquired by Netflix.

This jury awards one of the debut features from the various competitive sections at Venice the Lion of the Future – Luigi De Laurentiis Venice Award for a Debut Film, including a cash prize of $100,000. It was won last year by Saint Omer.

Captain America 4 Star Anthony Mackie Teases Harrison Ford Role

Marvel star Anthony Mackie has revealed what it’s like working alongside Hollywood icon Harrison Ford in the upcoming MCU sequel, Captain America: Brave New World. Speaking with Inverse, Mackie’s description of Ford once again confirms the Indiana Jones star’s delightfully grumpy outlook, as well as teasing the close relationship between Mackie’s Captain America and Ford’s Thaddeus "Thunderbolt" Ross.

The image of Ford loudly belittling Captain America: Brave New World and the rest of the cast and crew either missing what he said or intentionally missing out a few words to turn his negative into a positive before heading to filming is almost too perfect.

Aside from this magical moment of real-life comedy, Mackie reveals that Ford’s role in Captain America: Brave New World will perhaps be bigger than many expected. According to Mackie, the two actors spent a lot of time together, with Captain America and Thunderbolt Ross butting heads a lot as they take different approaches to achieving truth and justice.

Directed by Julius Onah and written by Malcolm Spellman and Dalan Musson, Captain America: Brave New World will pick up following the events of The Falcon and the Winter Soldier, exploring how taking on the mantle of Captain America has affected Anthony Mackie’s Sam Wilson. While wider details are being kept largely under wraps, set images and rumors have revealed that the MCU sequel will introduce the criminal organization The Serpent Society to the fray.

Captain America: Brave New World will add Star Wars and Indiana Jones star Harrison Ford as Thaddeus "Thunderbolt" Ross, with the Hollywood icon taking over from the late, great William Hurt. The hard-headed former general has since become President of the United States, with many theorizing that the plot will also see Ross transformed into the Red Hulk, as happens in the pages of Marvel Comics. For his part, Ford replied “What is the Red Hulk?” when asked about possibly becoming the monstrous supervillain in the Captain America sequel.

Led by Anthony Mackie as Sam Wilson aka Captain America, Captain America: Brave New World will also star Danny Ramirez as Joaquin Torres aka Falcon, Carl Lumbly as Isaiah Bradley, Tim Blake Nelson as Samuel Sterns, Shira Haas as Sabra, Harrison Ford as Thaddeus "Thunderbolt" Ross, and Liv Tyler as Betty Ross, with Xosha Roquemore, Seth Rollins, and Rosa Salazar cast in undisclosed roles.