Two of Futurama's Most Beloved Characters Have Surprisingly Wild Kill Counts

Futurama's Bender and Turanga Leela are two of the show's biggest heroes. Despite their heroic feats, they've racked up a lot of kills over the years.

The world of Futurama is one where death and murder aren't just accepted aspects of life, but a casual constant. People who should by all accounts be dead can live on as heads in jars, and characters causing countless deaths across the cosmos is brushed aside. Even with this in mind, some of the show's nominally heroic characters have racked up some horrifying kill counts over the years.

In one of Futurama's darkest elements, Bender and Turanga Leela have proven to be very violent over the years. Bender especially has a staggering kill count in-universe, and Leela has even turned her wrath onto her friends in an infamous non-canon tale. Here's how two of Futurama's central characters quietly became very horrifying.

Futurama's Bender Is a Literal Killing Machine

A long-running gag about Bender is his an innate desire to kill all humans. He repeats the phrase throughout the series, going all the way back to Season 1's "I, Roommate." Notably, this doesn't seem to be a restrained or prevented desire. Instead, he repeatedly throws himself into violent acts for fun over the course of the show. Bender has repeatedly thrown out aside references to many of his kills, like in Season 4's "The Farnsworth Parabox" (Directed by Ron Hughart and Written by Bill Odenkirk) where he references a time he beat a man into the ground with a shovel like a railroad spike.

Season 7's "Fun on a Bun" (Directed by Stephen Sandoval and Written by Dan Vebber) saw him steadily make his way through other competitors in a cooking contest so that he could take the top prize. His tyrannic rule in Season 3's "A Pharaoh to Remember" (Directed by Mark Ervin and Written by Ron Weiner) ended with a massive statue of him detonating in an explosion that could be seen from space, likely killing the countless slaves he'd had under his rule. He's even killed people by accident, such as his cooking mentor Helmut Sparkle in Season 3's "The 30% Iron Chef" (Directed by Ron Hughart and Written by Jeff Westbrook). Bender's true killing potential has been especially proven in other time periods.

After being sent into the past during the events of Season 5's "Bender's Big Score" (Directed by Dwayne Carey-Hill and Written by Ken Keeler & David X. Cohen), Bender's attempts to escape the authorities resulted in wide-scale destruction of New York City. This plays a part in society being forced back while Fry was frozen cryogenically. Meanwhile, the future glimpsed in Season 7's "Decision 3012" (Directed by Dwayne Carey-Hill and Written by Patric M. Verrone) revealed that Bender would eventually turn against all of humanity and lead robots in a violent uprising that largely wipes out the species. Bender's disdain for human life in the modern day of Futurama is often held at bay by his professed love for specific people like his best friend Philip J. Fry, his former protector Hermes, and the rest of the Planet Express Crew.

Leela's Violent Tendencies Could Have Wiped Out The Planet Express Crew

Within the show, Leela is often the voice of reason and morality, and is often Futurama's most consistent hero. Her soft side for animals has seen her risk life and limb to save sentient life, and she's even gone up against her friends in the name of protecting various alien creatures -- an attitude that resulted in her expulsion from the DOOP in Season 8's "Zapp Gets Canceled" (Directed by James Kim and Written by Shirin Najafi). At the end of the day, Leela attempts to commit to heroic acts. However, Leela has also always exhibited a more violent side that she struggles to restrain. Her first impulse in many episodes is to use violence to either intimidate others or forcibly beat them, highlighting how she's come to depend on her violent side over the years.

Years of being picked on at the orphanage where she was raised gave her a harsh side, as her combat training revealed itself in Season 2's "Raging Bender" (Directed by Ron Hughart and Written by Lewis Morton). This stemmed partly from her desire to prove the sexist proclamations of her sensei wrong. Leela's habit to resort to violence for the greater good was on full display in Season 5's "Bender's Game" (Directed by Dwayne Carey-Hill and Written by Eric Horsted, Michael Rowe, Patric M. Verrone & David X. Cohen). Wrestling with the impact of having seemingly killed an innocent creature, Leela swore off violence -- only to quickly backslide when danger called upon her.

Current Berserk Team Discuss the Struggles of Continuing Manga After Kentaro Miura's Death

The current team behind the Berserk manga feels that they are doing Kentaro Miura proud by continuing his story.

The team that is currently creating the new arc of the Berserk manga admits it was hard continuing without the original creator.

The fantasy manga was created and headed up by Kentaro Miura, who sadly passed away in 2021. Many fans felt that Berserk's story would end with his passing. However, many of Miura's close friends and the manga studio decided that it would be best to continue Berserk to honor his legacy.

The Return of Guts and Berserk

Kouji Mori and Studio Gaga are responsible for the most recent arcs in Berserk, including the newest arc that just started. In an interview with Asahi, Mori noted that the team felt it might be too hard to continue on without Miura. However, Mori then felt that if he didn't do it, a certain someone might not be too happy: "I thought maybe I could do it. I thought Miura would be angry that I didn't do anything, so I made the decision."

Once the decision was made, he went to Studio Gaga, and they had a meeting to further determine what to do next and how to proceed with the story in a way that would make the late Miura proud: "During the three- to four-hour meeting, I explained the development to Studio Gaga staff. Afterward, I exchanged personal messages with the chief. I give advice on drafts, but the final drawings are the work of Studio Gaga. The drawing skills of our staff, including Chief Kurosaki-kun, are extraordinary. I believe that after they complete Berserk, they will become artists who will leave their mark on the manga world."

Wish Will Celebrate Disney's 100 Years With 'Dozens of Legacy Nods' to Classics

The upcoming animated film Wish will pay homages to various animated Disney film since 1937's Snow White and the Seven Dwarfs.

The upcoming Disney animated film, Wish, will include subtle nods to the studio's various fan-favorite films of the last 100 years.

Wish is directed by Chris Buck known for co-directing the studio's hit films Tarzan, Frozen, and Frozen 2, and Fawn Veerasunthorn, who served as the head of story on Raya and the Last Dragon. In an interview with Entertainnment Weekly, Buck and Fawn revealed that akin to Easter eggs, the movie will throughout be paying subtle nods to classic Disney films, to celebrate Disney's 100th Anniversary.

Buck and Veerasunthorn expressed their delight at finding these hidden references. "They're all over the movie," Buck said. "We are compiling a list, and I couldn't tell you how long it is now. " "There's some that we don't even know are there yet, and we may not know until they tell us," he said citing various departments' surprising contributions.

Wish adopts the wide aspect ratio of 1959's Sleeping Beauty, a technique not used by Disney since that film. Buck emphasizes that this choice gives an epic feel to the narrative, aligning it with the broader legacy. "The way things are framed, it's purposeful," Veerasunthorn claimed. The film's creation involved collaboration with fellow Disney enthusiasts across the studio, aiming to create a movie that resonates with fans and pays tribute to the magic of Disney.

Ahsoka: Shin Hati Fondly Reminisces About Her First Lightsaber Duel & Flying a Ship in the Star Wars Universe

Shin Hati actress Ivanna Sakhno relishes her time using a lightsaber and flying a starfighter on the Disney+ series Ahsoka.

Ahsoka Tano (Rosario Dawson) finally faced off against Shin Hati, but the Dark Jedi didn’t stand a chance against the one-time student of Anakin Skywalker (Hayden Christensen). Actress Ivanna Sakhno brings Baylan Skoll’s (Ray Stevenson) apprentice to life each week on the Disney+ series Ahsoka. And for Sakhno, she’ll never forget the first time her lightsaber blazed to life on set. Sakhno said in an interview conducted prior to the SAG-AFTRA strike (via Star Wars):

“It will always stay within me as the moment when Natasha and I saw our lightsabers ignite for the first time. And I see Natasha’s eyes. And she’s looking into my eyes. And, in that moment, we could really sense that it’s the beginning. It felt like the months of training before and what was about to come balanced each other out and kind of grounded the experience. It felt like we opened the gates into the universe.”

Sakhno refers to the very first episode of Ahsoka and her character’s showdown with the Star Wars: Rebels live-action version of Sabine Wren who is portrayed by actress Natasha Liu Bordizzo. During that one-sided duel, Shin gets the better of Sabine. The Dark Jedi’s orange lightsaber stabs right through Sabine, but she manages to survive.

Ivanna Sakhno Relished Piloting a Starfighter

Another high-water mark of Ivanna Sakhno’s time working in that galaxy far, far away came when her character Shin Hati got to pilot a starfighter in the Star Wars streaming series Ahsoka: Part Three — Time to Fly. Sakhno described the thrilling experience in an interview on Entertainment Weekly’s Dagobah Dispatch podcast. Sakhno said:

"It was the coolest thing in the world! In general, the set - same as for The Mandalorian - we used really advanced technology, so we had The Volume. It's filled with screens and incredible light. But the actual ship and a lot of the aspects of the physical world — they were built for the show.

So, I do remember sitting in front of my cockpit, and really catching my younger self as a kid looking around. And all the buttons were working. And you feel like it's your childhood dream coming true. You really feel like a pilot in a ship, and you get to do this for a living. I just felt giddy and incredibly lucky to be able to experience it."

After being defeated, Shin flees at the conclusion of Part Seven — Dreams and Madness. The Dark Jedi fared quite well against Sabine (Bordizzo) in their short rematch, and Shin even got the upper hand against Ezra (Eman Esfandi) at one point. But Shin didn’t stand a chance against Ahsoka. The final episode of Ahsoka streams Tuesday, October 3 at 9 p.m. EDT on Disney+.

Chucky Season 3 Trailer Promises Bloody Halloween Inside the White House

Chucky is coming back with its Season 3, and this time, the story will take place inside the safest place in the United States, the White House.

The third season of Syfy and USA Network’s hit cult horror series, Chucky, is finally arriving next month, and seems to be taking an equally ridiculous and horrific turn.

Syfy released the full-length trailer on its YouTube channel, which shows that the notorious killer doll, Chucky, has somehow found his way into the White House, becoming the favorite toy of young Henry Collins, the son of President James Collins. While Chucky's motives within the nation's highest office remain unclear, the trailer teases a reunion with familiar faces from the previous seasons.

In Season 3, Chucky establishes an unexpected connection with Henry, offering him companionship in the unfamiliar White House environment. The trailer reveals a key scene in which Chucky gives a FaceTime call to Jake, Devon, and Lexy, to entice them and declare, "They'll never forget me this time." The gang decides to go on a mission to Washington DC to kill Chucky and free Lexy's sister. Additionally, Tiffany Valentine resurfaces, surviving Chucky's assault from Season 2 finale and finding herself behind the bars. She is also angry with Lexy who had fooled her by playing a producer.

Devon Sawa, a notable cast member the in previous seasons, continues to be a pivotal figure in Chucky. Having portrayed various characters, including twin brothers and a possessed figure, Sawa now assumes the role of the President of the United States. Brad Dourif is returning as Chucky in his 35th year with the cult franchise. Jennifer Tilly is also back as Tiffany Valentine. Returning alongside them are Zackary Arthur as Jake Wheeler, Alyvia Alyn Lind as Lexy Cross, Björgvin Arnarson as Devon Evans, and Carina Battrick as Caroline.

Chucky Episode Titles Are Named After Horror Movies

Chucky Season 3 will once again consist of eight episodes, and premiere the first episode titled “Murder at 1600". The annual Halloween episode, "Halloween III: Season of the Witch," will arrive a bit early on October 25th. Two other episodes, named after popular horror movies, Let the Right One In and Jennifer’s Body, have been announced, while details on the remainder four remain under wraps.

Reviews for the previous seasons of Chucky have been strongly positive. Following into the step shoes of the renewed interest in bringing back old franchises such as Halloween, Scream, Saw and The Exorcist, Chucky has also attracted enormous popularity among fans, rekindling the "80s horror film series" craze into pop culture.

Chucky Season 3 will premiere on Oct. 4, on the Syfy channel. Additionally, the new episodes will stream on Peacock the day after they air.

How Logan Explores Themes of Elderly Care

Logan shows the difficulties of caring for people who suffer from Alzheimer's by portraying the father-son relationship of Professor X and Wolverine.

When Logan came out in 2017, most fans believed they would be seeing Hugh Jackman's Wolverine for the last time. Because of this, the movie showed a new side of two of the most famous X-Men characters -- Logan and Professor Xavier. Logan beautifully portrays the strong bond between Wolverine and Professor Xavier, highlighting the sacrifices made in caregiving for someone with Alzheimer's disease. By presenting the mental and physical decline of Professor X, Logan opens up a discussion about the struggles of those who suffer from Alzheimer's and their caregivers.

The X-Men movies showcased Professor X as a caring figure to all of his students. In Logan, that favor was returned as Wolverine was shown to deeply care for Professor X. He kept him alive and spared him the knowledge of how his uncontrolled powers killed most of his former students. By portraying such an important topic in a superhero film, viewers can witness the dynamic of these kinds of relationships and the sacrifices that come along with them.

Professor X Is Logan's Most Tragic Character

Since his first cinematic appearance in the first X-Men movie in 2000, Charles Xavier has been portrayed as a mentor and father figure to both his students and the X-Men. His continuous fight for the coexistence of mutants and humans earned him the adoration and love of those closest to him. In order to protect young mutants from the hatred and prejudice of the rest of the world, Professor X made a school where homo superiors could learn and control their powers. Ever since then, Xavier had spent his entire life protecting mutant-kind and trying to bridge the chasm between it and humanity.

In Logan, viewers are informed that most of the X-Men and over 600 people were killed during something called the "Westchester Incident." It is later revealed that due to his Alzheimer's, Professor X was unable to control his telepathic powers, creating psychic seizures that killed everyone around him. After the incident, Logan took Xavier away. During their time together, he gave him medication to suppress his psychic powers and to forget about the incident. However, at some point, Xavier remembered what he did and dealt with great sadness and grief. Since he dedicated most of his life to protecting his students and innocent people, he was hurt at the realization of what he had done. What makes this even more regretful is the fact that he once used his mind in order to protect and find other mutants. But his own mind turns against him and kills his loved ones, showing how devastating his power can be.

How Alzheimer's and Elderly Care Are Represented in Logan

Logan accurately represented how Alzheimer's disease can affect certain individuals. In the case of Charles Xavier, he was shown to have mood swings and occasionally fights with Logan. When he first appeared in the movie, he loudly recited Shakespeare and sang "Little Miss Muffet" to himself. On the one hand, there were times when he seemed erratic and suspicious of his caregivers. On the other, there were times when he seemed lucid, being able to make sense of his surroundings. The movie accurately represents the effects of Alzheimer's on Xavier, including mood swings, memory loss and confusion, shedding light on the struggles faced by those with the condition. Because of the decline of his cognitive abilities, Xavier was often seen in a state of confusion, which aggravated him and led him to fight with Logan.

Similarly, Wolverine was seen to be affected by both his obligation and need to take care of Xavier. Despite the help of the mutant tracker Caliban, there were times when Wolverine could not bear to be near his former mentor due to his declining health. However, he never stopped looking after him, as he saved money to buy a boat to finally offer safety for them both. Every action and decision he made was based on how it will affect his father figure. Even during their final moments together, when Xavier was stabbed by X-24, Logan looked after him by staying with him as he drew his last breath. Then, with the utmost care, Logan buried him next to a lake, stating to Laura that he thought that Xavier would have liked his final resting place.

Logan's Portrayal of a Family

Despite the intensity and difficulty of taking care of a person who suffers from Alzheimer's, there were important lessons that the characters learned from this experience. Laura's arrival heralded new dangers for them both, but it also gave them an opportunity to rejuvenate old relationships and create new ones. Laura played her role in helping take care of Xavier as well, becoming a constant companion to him during their time together. Even Professor X noted how her power reflected her role as a caregiver and a hunter. In addition to Xavier and Logan having formed a father-son relationship, Laura, in a way, formed a granddaughter-grandfather relationship with Xavier. Xavier was the one who persuaded Wolverine to help Laura, and through her, he was able to show his former pupil the meaning of familial love. In a way, they became a family.

Even though Xavier did not want Laura to become like Wolverine, he also wanted Logan to take care of her. Xavier was once a teacher, and he understood the value of loving and being loved by a child. Logan showcased the importance of family and love in the face of Alzheimer's, as Xavier's declining health prompted him to teach Wolverine about the value of life and create a family with Laura. At some point, he said to Wolverine, "You know, Logan… this is what life looks like. A home, people who love each other. Safe place. You should take a moment and feel it." Even though Xavier was suffering from Alzheimer's and under the care of Wolverine, he still tried to teach him about the value of family, something that transcends the obligations of duty.

The theme of taking care of the older generation has been a popular theme in movies, with some notable examples being Amour, Still Alice and The Father. The depiction of Alzheimer's and things like it in movies can make audiences aware of the issues that surround elderly care in real life. But, by portraying such an important topic in a superhero film, it opened up the conversation to a wider audience. The presentation of the mental and physical decline of Patrick Stewart's Professor Xavier came as a shock to many, but that doesn't mean it wasn't an important topic to cover.

Logan also shows how such situations can give clarity in life. Despite the fact that Xavier had Alzheimer's, he still mustered traces of his past self to save Laura. He also guided Wolverine and made him realize the importance of family and of loving and being loved. Taking care of the elderly can be difficult, mainly due to various emotional reasons. For Logan to watch a man that he looked up to become a shadow of his former self can be sorrowful. However, it also shows that, even though there are difficulties, Logan would have done anything for Xavier, even in his old age, because of his love for him. The movie highlighted the relationship between father and son, elder and caregiver and grandparent and grandchild. When Laura appeared, she became, in many ways, the new caregiver of the family. However, instead of providing physical care, she provided emotional care by reminding Xavier of what life can be. Likewise, Logan reminds those who are affected by Alzheimer's that there is something more to life than surviving -- there is living.

One Piece Theory: Mihawk Is the Son of a Roger Pirate and a Former Empress

An intruguing couple in One Piece has been considered the top candidates as Mihawk's parents, and the evidence points toward this theory being true.

Despite being syndicated for over 25 years, One Piece still presents many questions that demand answers. Among its many narrative threads, there are countless events that need to be explored. While Will of D., the lineage of Shanks, and the identity of Rocks D. Xebec are but a few of these mysteries, they speak to the show's interest in the lineage of One Piece's cast. The anime explores this recurring theme time and time against. As the series approaches its long-awaited final saga, there are still several major characters whose backstories and lineage are completely unknown. Arguably, the most noteworthy of these individuals is none other than Dracule Mihawk, the World's Strongest Swordsman.

Since his first appearance in the Baratie Arc, Dracule Mihawk’s origins have been shrouded in mystery. One Piece states the swordsman was once a Marine Hunter. As evidenced by their brief encounter at the end of the East Blue Saga, Mihawk considered Shanks to be his greatest rival at some undetermined point in the past. However, other than this information, virtually nothing is known about Mihawk's backstory, leading many fans to speculate that the identity of his parents could be revealed at a later date. Considering the swordsman's age, as well as a few other factors, there are two characters who are routinely mentioned as his potential parents: Silvers Rayleigh and Shakuyaku.

Updated on September 17, 2023 by Kennedy King: With Monkey D. Luffy now considered an Emperor of the Sea, the hunt for the One Piece has begun in earnest. Dracule Mihawk, who previously had little interest in finding the treasure, is now part of the Cross Guild alongside Buggy the Clown and Crocodile. This development makes the World's Strongest Swordsman more significant than ever. As he inches closer toward his long-awaited showdown with Roronoa Zoro, Mihawk's lineage will certainly be explored in the near future.

The Visual Similarities Of Mihawk, Shakuyaku, And Silvers Rayleigh

While the visual appearance of a One Piece character is not a reliable way to predict who their relatives might be, it's not the worst place to start in the case of Dracule Mihawk. When comparing his appearance to other notable characters, the World's Greatest Swordsman bears a striking resemblance to two specific characters introduced during the series' Sabaody Archipelago Arc. One is Shakuyaku, the former Empress of Amazon Lily. The other is Silvers Rayleigh, the former first mate of the Roger Pirates. The first similarity of note stems from Mihawk's hair, which has always been presented as pitch black with sharp, pointed accents. Shakuyaku's hair is very similar, and while its color isn't particularly noteworthy, the fact it is styled similarly to Mihawk's stands out. Both of their hairlines come to a triangular point below their ears — a similarity that is further emphasized by their strong squared chins. Although these overlapping visual designs could be chalked up to the art style of One Piece's author, Eiichiro Oda, there are more signs that point to a connection between the trio.

Besides Shakuyaku, Dracule Mihawk also enjoys a distinct resemblance to Silvers Rayleigh, the former right hand of Gol D. Roger. Although Silvers' hair is depicted as blonde during his youth, lighter hair colors tend to be a recessive gene, so it's not unrealistic to think that the two could be directly connected. Rayleigh's facial hair and eyebrows were black when he was still on the Roger Pirates. This lends further credence to the idea that his hair serves as a point of connection to the World's Greatest Swordsman. In fact, Rayleigh's style of facial hair also provides a potential through line between the two legendary pirates. Mihawk's goatee includes a single strip running down the middle of his chin, whereas Silvers Rayleigh sports five stripes of similarly arranged facial hair. These minor similarities between character designs may seem like an effect of Oda's art style. However, One Piece's author has used this strategy to provide hints about several characters' lineage. These hints include Zoro's resemblance to the Shimotsuki Clan, Sanji's eyebrows and their connection to the Vinsmoke Family, and the messy hair of Portgas D. Ace and Gol D. Roger.

How the One Piece Timeline Supports A Connection Between Mihawk, Shakky, And Rayleigh

When comparing the ages of Mihawk and his potential parents, the pieces continue to fit together. By the events of One Piece, Silver Rayleigh is 78, Shakuyaku is 64, and Dracule Mihawk is 44. If Mihawk is their son, it would mean that the pair would have been 34 and 20 when he was born. Considering that they were both pirates at this time and Shakky retired 42 years before the story, it is not impossible that they met on the sea and hooked up after a heroic bout between their crews. The words of Gloriosa support this theory, since she states that every Empress of Amazon Lily falls victim to the Love Sickness. Since Shakky abandoned her post as Empress around the same time that Mihawk was born, it's entirely possible that she did so in order to raise the boy who would eventually become the World's Strongest Swordsman. Similarly, when Silvers Rayleigh holds an infant Kozuki Momonosuke, he comments the child reminds him of the old days, perhaps suggesting that he is reminiscing about the time that he spent raising Dracule Mihawk.

Unfortunately, until further notice, the evidence surrounding Dracule Mihawk's connection to Shakuyaku and Silvers Rayleigh is completely circumstantial. Neither Shakky nor Rayleigh ever directly mention the fact that they have a son. Whenever Mihawk's rivalry with Shanks is discussed, there is never any mention of them being connected through the Roger Pirates. While the World's Strongest Swordsman has never been talkative, it seems like he would have mentioned his backstory to Roronoa Zoro during the two years that they spent together in the series' timeskip. Still, there are plenty of explanations for these discrepancies, making it entirely possible that Dracule Mihawk backstory houses one of the biggest secrets in One Piece history.

Percy Jackson Star Teases the Changes Made to Annabeth Chase in Disney+ Adaptation

Percy Jackson star Leah Jeffries teases how the Disney+ version of her character, Annabeth Chase, will differ from the one in Rick Riordan's books.

Percy Jackson and the Olympians star Leah Jeffries recently expressed excitement about portraying a character who breaks the mold and can be seen as an inspiration for other girls.

In an interview with Entertainment Weekly that was conducted before the SAG-AFTRA strike, Jeffries discussed how her portrayal of Annabeth Chase would differ from the one in Rick Riodan's Percy Jackson novels. "I'm playing a character that is a different person, different hair color, different skin tones, and all that. That's what the prototype was," Jeffries says. "Just to hear that I'm playing her different was like, 'Wow, I'm now gonna be an inspiration to other girls.'" The actor added, "My experience filming the series has been phenomenal and unbelievable."

Jeffries joined the cast of Percy Jackson in May 2022 as Annabeth Chase, the daughter of the Greek goddess of wisdom and warfare, Athena. While her casting was well-received by most of the Percy Jackson fandom, there was a small, but vocal minority that criticized the casting on the basis of Jeffries' skin color. Following the backlash, Riordan took to his blog to condemn the fans who were bullying and harassing Jeffries online simply because she was a Black actress playing a character originally described as a blonde white girl.

Rick Riordan Addresses Casting Backlash

"You are upset/disappointed/frustrated/angry because a Black actor has been cast to play a character who was described as white in the books. 'She doesn’t look the way I always imagined,'" Riordan wrote in May 2022. "I have been clear, as the author, that I was looking for the best actors to inhabit and bring to life the personalities of these characters, and that physical appearance was secondary for me." The author continued, "You refuse to believe her selection could have been based on merit. Without having seen her play the part, you have pre-judged her (pre + judge = prejudice) and decided she must have been hired simply to fill a quota or tick a diversity box."

Over a year later, in June 2023, Riordan discussed Jeffries' casting with The Hollywood Reporter, believing that the actor "shouldn’t have to deal with that." He added, "And I want her to know that I stand behind her 100 percent. The entire team of the Percy Jackson series stands behind her unconditionally." The author reiterated that Jeffries "got a part because she merited getting the part" and dismissed suggestions that she was hired merely to hit "a quota."

Percy Jackson Adapts The Lightning Thief

Percy Jackson Season 1 will adapt author Riordan's 2005 children's novel, The Lightning Thief, which follows 12-year-old demigod Percy Jackson (Walker Scobell) as he embarks on a cross-country quest with his friends Annabeth Chase (Jeffries) and Grover (Aryan Simhadri) to track down the lost lightning bolt of Zeus and restore order to Mount Olympus.

Percy Jackson and the Olympians premieres on Disney+ on Dec. 20.

Theater Camp Has All the Makings of a Cult Classic

Theater Camp was a hit at The Sundance Film Festival, and now that it’s streaming on Hulu, it has the opportunity to become the next cult classic.

After a whirlwind year that began at the Sundance Film Festival in January 2023, mockumentary Theater Camp is available to stream on Hulu, which gives a wider audience the chance to finally see this hilarious and heartwarming film. It brings up the film's ability to gather a cult following and potentially garner cult classic status. Theater Camp was co-directed by Molly Gordon and Nick Lieberman, who also co-wrote the film with Noah Galvin and Ben Platt. Gordon and Platt, who met at a theater camp as children, co-star in the movie along with Galvin and a host of supporting actors, including a band of children that help make the film what it is.

Set at a summer camp in the Adirondack Mountains, Theater Camp begins when the head of Camp AdirondActs, Joan, ends up in a coma, and the counselors have to fend for themselves -- and deal with Joan's son, Troy, played perfectly by Jimmy Tatro, who audiences will likely remember from Netflix's American Vandal. To the dismay of the instructors, Troy would rather be a YouTube business phenomenon than have anything to do with a theater camp. With its unique format, entertaining cast members, and witty, mostly improvised dialogue, Theater Camp is bound to be a film people watch over and over again.

Raking in a Cult Following

Any time a film is made, the hope is that it will have an incredible opening weekend in movie theaters and receive rave reviews from critics. While any film can have a great weekend, whether it is independent or made by one of the major studios, it can also have a bad opening weekend or receive not-so-stellar reviews. Sometimes, even when critics are harsh and box office returns aren't what people expected, audiences are so drawn to a film that a cult-like love for it lasts well beyond its run in the theater, making it into a "cult classic."

Cult classic films typically have a few components that make them different from a classic film or a box office hit. Often these films don't do as well in the theater or with the critics, though that can vary from film to film. More often, what audiences will see with cult classics are films with an unusual format or maybe a storyline that feels too "weird" for the mainstream. Films like The Outsiders (1983), Napoleon Dynamite (2004), and Cruel Intentions (1999) are considered cult classics because of their relatively unknown casts -- at least at the time -- and their unexpected storylines. Fans of cult classic movies often have specific quotes they all know, scenes they discuss together, or songs that they all play on repeat to remember the films they love so much.

Some of the Best Cult Classics Are Musical

One of the unique things about a lot of cult classic films is that they have a musical component that might not necessarily show up in a "mainstream" movie. Plenty of box office hits are also musicals, but cult classics tend to have musical moments in what would otherwise be a straight film, have a soundtrack of songs with unusual lyrics or themes, or use an unexpected song at an important moment in the film. One of the best examples of this is in Cruel Intentions, when "Bitter Sweet Symphony" by The Verve plays over the final moments of the film. It is considered one of the most iconic cult film moments to date.

Perhaps the most well-known cult classic that is also a musical is The Rocky Horror Picture Show (1975). Based on the 1973 stage production The Rocky Horror Show, which is a tribute to science fiction and B movies that were popular between 1930 and 1960, The Rocky Horror Picture Show initially had a terrible theater run. It wasn't until Rocky Horror became a midnight movie that it would pick up its fan base. Now, midnight showings of the film run in nearly every state, sometimes year-round, though the show runs most often near Halloween. Moviegoers typically dress up, and there are singalongs, callbacks for the audience to yell during the film, and even the occasional live-action reenactment performed while the movie runs. Rocky Horror's cult-like following even led to it being selected for preservation in the United States National Film Registry by the Library of Congress in 2005. It is films like The Rocky Horror Picture Show that paved the way for films like Theater Camp to succeed.

Theater Camp's Format Will Help it Succeed

While Theater Camp begins its ascent to cult classic status thanks to its premiere at the Sundance Film Festival, it is the format of the film that takes it to the next level. As a mockumentary, the film already feels authentic and wickedly funny, but Gordon, Lieberman, Galvin, and Platt took it a step further by creating a film that was 90% improvised. While some films feature improvised moments, there are only a small number that can boast that more than 50% of the film is improvised -- films like This Is Spinal Tap (1984), Best in Show (2000), Dumb & Dumber (1994), and The Blair Witch Project (1999) are some of the more well-known improvised films. Theater Camp has a vibe that matches Christopher Guest's Waiting for Guffman (1996), though the addition of children makes it particularly distinct. Molly Gordon mentioned in at least two interviews that it took them six years to get funding for the film because people were unsure their format would work with children.

Theater Camp also has some of the other major components of a cult classic film. There are scenes that surprise and delight, like when an unexpected understudy appears on stage as "Old Joan" in the final production of "Joan, Still," or when Janet Walch (Ayo Edebiri, who is currently co-starring in The Bear) tries to teach the children literally anything. At multiple times during the film's 90-minute run, music plays an important role in the storyline, both directly as part of the performances and indirectly as background music. There are also moments from both the children and adult characters that will be quotable for years to come, like when the power is out, and the children are sitting together in the dark, manifesting their parts in the shows. "Peters, Streisand, Foster, LuPone, give us a role we can make our own," they chant. "Audra McDonald, Idina Menzel, we are gay witches and this is our spell."

The response to Theater Camp has been predominantly positive, which some might argue automatically means that it cannot be considered a cult classic. What's most true about cult classics is that there is a smaller group of people that have developed a cult-like fanaticism for the movie, which can also be true for films that do well at the box office. Movies like Mean Girls (2004), Shaun of the Dead (2004), and From Dusk Til Dawn (1996) all did well in their opening weekends or initial runs but are considered cult classics because of their status as an independent film, the storyline of the movie, or even because quotes from the film have made their way into the cultural zeitgeist. Theater Camp fits beautifully in this same space and is likely to make an impact on pop culture and the film industry for many, many years.

How Mortal Kombat 1 Sets Up For A Sequel

Mortal Kombat 1's story mode is filled with twists and turns, action and tragedy, and a ton of drama that sets up another game-changing chapter.

As Mortal Kombat 1's story mode unfolds, it's perfectly clear this isn't the MK of old. Apart from Liu Kang tinkering with the main timeline, somewhat improving what Raiden attempted in the past, the franchise drops a massive bombshell regarding the Multiverse. The victory over Kronika in MK11 actually spawned infinite realities where other Titans and Time Gods emerged apart from Liu Kang.

It's what drives Shang Tsung, who won in an alternate MK11 reality, to seek out and crush all timelines, beginning with this one. Luckily, Liu Kang becomes the Fire God and Keeper of Time once more, seeking out allies from other worlds to create a Multiversal alliance. But while he stops Shang Tsung, or at least this version of the shape-shifting sorcerer, MK1 sets up quite a few paths for a sequel.

Mortal Kombat 2 Sets Up a Bloody Ninja War

MK1 teased a civil war within the Lin Kuei, and like clockwork, it erupted. Bi-Han breaks away from being Earthrealm's protector, wanting his clan to take power. This Sub-Zero has an ending where he's making cyborgs with Sektor, so he'll clearly be upgrading with tech to make the Lin Kuei stronger. Liu Kang, though, is anticipating the next strike and is working with the brothers Bi-Han betrayed: Smoke and the new Scorpion in Kuai Liang.

They've formed a new clan, the Shirai Ryu, to counter Bi-Han, which remixes the war of old. Kuai is actually married to Harumi, naming the clan after her, while Smoke has adopted Hanzo Hasashi as a protégé. It flips the old era where Hanzo and Harumi were married before the Lin Kuei killed Hanzo's family and drove him to become Scorpion. It teases a more personal feud linked in blood and love than before. Seeing as Liu Kang helped evolve the Shaolin order so the new Raiden could become his Champion, MK2 could well see a more powerful, mystical Shirai Ryu emerge with the Fire God's help. What's for sure is Kuai will have to kill Bi-Han, scrubbing their old arc of mind control and Quan Chi meddling with Bi-Han's agency. In this case, Kuai hates how Bi-Han let their father die, confirming it's going to be a more nuanced rivalry when they eventually meet one-on-one. The stakes are super-high, with family and the fate of Earthrealm at hand.

Mortal Kombat 2 Will Need More Earthrealm Defenders

Liu Kang is seeking out new champions and defenders outside the Shirai Ryu. He warned Raiden and Kung Lao to keep improving with the Order, waiting for the next battle. Raiden's ending has him working with Kuai Liang to improve, while Kung Lao is training up Shujinko and trying to fix his own ego. Johnny Cage is off making movies, but he's proven himself worthy. Kenshi is off rescuing his clan from the Yakuza but also forming an Outworld investigative task force with Jax.

This opens the door for new versions of Sonya and Stryker to join Jax as secret agents or for new iterations of the young blood like Takeda, Kung Jun, Cassie Cage, and Jacqui Briggs to enlist. Seeing as MK is now neck-deep in variants and new spins on characters, it teases infinite possibilities, evolution, and a shift in the status quo when it comes to who fights for Earthrealm.

Mortal Kombat 2 Has to Steel Up Outworld

Outworld ends on a happy note, becoming a partner to Earth once more. This fortifies Earthrealm, with Mileena taking the throne after Sindel's death. She does have a resurrected King Jerrod to advise, but seeing as he's in Ermac's body and fighting a maelstrom of evil souls within that vessel, it's uncertain if he will continue in an altruistic light or end up being corrupted. He does have Sindel's soul inside him, too, so maybe Mileena will try to bring her mom back as well to add a warrior and advisor back to the palace.

Royal drama aside, Kitana replaced General Shao and is on the lookout for new soldiers. Baraka and his Tarkatan people could train to join the army. Kitana can reform the likes of Goro and Motaro to get more Shokan and Centaurians in, respectively. Kintaro and Sheeva organically fit this new movement, while Kotal Khan's tribe can enter the fray after briefly being mentioned. Of course, these folks could end up being rebels, but MK is keen on painting Outworld as heroic. It further sets up Reptile and his Zaterran clan to join Kitana's crew officially after centuries of being shunned. Either way, this creates a different version of Kitana, away from love drama with Liu Kang and more into the military and politics.

Mortal Kombat 2 Teases More Nuanced Villains

MK1 ends with the main timeline's Shang Tsung, General Shao, Reiko, and all other dissidents imprisoned. Their endings, though, confirm they'll escape and keep trying to build a rebellion to take Outworld and Earth. This can result in them partnering with more variants and alternate realities if Liu Kang can't fix the fabric of space and time and keep all worlds separate. The door's open as well for Onaga (who was discovered by Reiko) and fan-favorite villains like Blaze to return. Seeing as Geras came back to help Liu Kang, all this time-tampering could even revive Kronika to try to patch the fraying MK-verse in her own way.

Lastly, a path is paved for Liu Kang to become a villain like the Dark Raiden of old. He has to make tough decisions, including culling evil worlds. Plus, there's no telling how the Hourglass and Sands of Time will affect his mind again. He might end up understanding he'll have to become as cruel and harsh as Kronika if he's to protect the Multiverse. This repeats the mistakes of old and can once more have heroes from other worlds standing up to him, not wanting to cross ethical and moral lines. Ultimately, it'd remind gamers how Liu Kang, like Raiden and Kronika, just can't escape this fate and that to truly exercise control, one has to become the very monster they hated.

Darth Vader is About to Become Star Wars’ Darkest Villain for a Whole New Reason

Star Wars: Dark Droids has made Darth Vader dangerous for a whole new reason, and it could have major implications for the franchise's future.

Throughout the entirety of the Star Wars franchise, no villain has reached anywhere near the iconic status that Darth Vader has achieved. Unfortunately for him, that hasn't kept Vader from being targeted by enemies of every ilk. Now, Star Wars: Dark Droids has set a new nemesis upon Vader that he wasn't aware of to begin with. And, even if Vader escapes the clutches of the Scourge, the precedent set by their encounter could still cast a dark shadow over the Galaxy Far, Far Away for years to come.

Star Wars: Darth Vader #38 (by Greg Pak, Raffaele Ienco, Federico Blee, and VC's Joe Caramagna) finds the titular Sith caught in the midst of an onslaught of Scourge possessed droids. Though Vader doesn't understand why the droids have turned on him and the rest of the living Imperial forces, he doesn't need to in order to unleash his wrath upon them. That being said, not understanding the threat at hand could be more grave than Vader realizes. Apart from the general threat posed by the Scourge possessed droids, the reason for their attack on Vader isn't necessarily unique to him, even if he is the most prime example of a cybernetic being having a direct connection to the Force.

The Evolution of Darth Vader in the Star Wars Universe

Darth Vader may be the Scourge's best possible target now, but the reasons for that go all the way back to the character's beginnings as the young Anakin Skywalker. The rise and fall of Anakin is easily among the best known stories that the Star Wars franchise has to offer, starting with his liberation from slavery into the arms of Jedi Master Qui-Gon Jinn and the then Jedi Knight Obi-Wan Kenobi. Despite Anakin's exceptional connection to the Force, his age gave Jedi Masters such as Yoda great concern regarding the boy's trajectory in their ranks. While Anakin flourished as those closest to him expected, so too did he fall to the Dark Side as others had worried.

This eventually led to the fateful encounter between Anakin and Obi-Wan on Mustafar where, deep within a section of its volcanic landscape, the latter left the former for dead after a grueling battle. Instead of losing his life, Anakin was remade using the best cybernetics the then budding Galactic Empire had to offer, emerging from the process as the iconic armored cyborg known as Darth Vader. Surprisingly, these cybernetic enhancements increased Vader's connection to the Force rather than detracting from it due to the loss of living tissue. Vader explained away this phenomenon himself as being attributed to the increase in personal pain and suffering heightening his connection to the Dark Side specifically.

Why Darth Vader is Dark Droids' Perfect Victim

Whatever the reason for Darth Vader's heightened Force sensitivity after his transformation, it is the key reason why he has been targeted by the Scourge in Star Wars: Dark Droids. As an artificial intelligence, the Scourge has been unsuccessful in transferring itself to any organic beings. This wouldn't be a problem if it weren't for the fact that, so far, no droid has ever officially made a connection to the Force, which the Scourge is desperate to connect to and effectively consume. Darth Vader, on the other hand, exists at a unique intersection between man and machine, and so far neither has caused the other any noticeable detriment.

As such, Darth Vader is the perfect target for the Scourge. Assuming the Scourge can infiltrate Vader's mind as it has the programming of so many other mechanical beings, there is no reason to think it couldn't then use that control to directly tap into the Force for itself. Of course, doing so would mean getting into Vader's cybernetic systems in the first place, not to mention overpowering his impossibly strong will. At the same time, Darth Vader being the prime target for the Scourge doesn't mean that the Fist of the Emperor is the only viable path to attaining a connection to the force for the malicious AI, and even if there aren't many other options as of now, that isn't stopping the Scourge from building them for itself.

What Darth Vader's Dark Droids Role Could Mean for Star Wars' Future

Like Darth Vader, Luke Skywalker is at least partially cybernetic due to his prosthetic hand, which similarly hasn't caused him any problems in connecting to the Force. Whether they know it or not, both Vader and Luke stand in stark contrast with much of what was previously understood about the Force, opening the door for the Scourge's onslaught to continue in a whole new way. The Scourge simply doesn't need to bring Vader or Luke to heel when it could use its army of droids to transform another Force sensitive being into the kind of cyborg it can exert control over. That itself isn't any easy feat, as it would mean successfully capturing another Sith or Jedi to use as the basis for its experiment.

This still gives the Scourge another avenue by which it can continue on in its crusade. Presumably, this isn't going to happen anytime soon, especially not after considering where Dark Droids takes place within the wider Star Wars timeline. All the same, it doesn't have to fall on Dark Droids alone to push this concept to the next level by giving the Scourge or some other artificial entity the chance to craft an easily programmable cybernetic Force user in the future. Should the Scourge return or be replaced, the precedents that have been set by Dark Droids are more than enough to give it a clear direction when it comes to picking up where it left off and finally claiming the power of the Force for itself.

Remastered Talking Heads Documentary Becomes IMAX King

Stop Making Sense became the best-selling IMAX live event after being remastered and live-streamed across 150 IMAX theaters.

The Talking Heads were one of the most successful bands in their heyday. From the late 70s to 80s, the David Byrne-led group produced popular music with an alternative, New Wave twist. The documentary, Stop Making Sense, was about their “Speaking in Tongues” Tour, which completely changed the way that concerts and tours are performed. Now, 30 years later, it has been re-released and remastered for IMAX by A24, first as a live-streamed event, and then in regular viewing times.

The Wrap reports that Stop Making Sense officially became IMAX’s best-selling live event ever. The remastered version of the concert documentary was released this past Monday, September 12th. The event garnered $640,839 of same-day revenue, spread across over 25 sold-out theaters in the United States, and the IMAX theater in London.

The world premiere, which happened in Toronto, also featured a Q&A panel. On this panel was film legend Spike Lee, who is known for Do the Right Thing, BlacKkKlansman, and the 2013 American re-interpretation of Oldboy – the original Korean version of the film, directed by Park Chan-wook, is being re-released this year. Also on the panel were band members David Byrne, Tina Weymouth, Chris Frantz and Jerry Harrison.

The Talking Heads have come out with some of the most popular songs of all time, such as "This Must Be The Place (Naive Melody)," "Once In A Lifetime," "Burning Down The House," and, of course, "Psycho Killer." These songs, in particular, have been tremendously influential on pop culture, and have been featured in a myriad of movies and TV shows. Some of the media that has featured the music of The Talking Heads includes The Boys, Stranger Things, The Vampire Diaries, Crazy Stupid Love, Grey’s Anatomy, High Fidelity, Lars and the Real Girl, Hot Tub Machine, Wreck-It Ralph, Julie & Julia and many more.

Stop Making Sense Continues Its Success

Stop Making Sense is in the pantheon of the greatest concert movies ever made, along with Pink Floyd: Live at Pompeii – which was shot live, in an ancient amphitheater over the course of four days – Michael Jackson’s This Is It, Queen: Live at Wembley Stadium, and the Martin Scorsese-directed The Last Waltz. It was directed by Jonathan Demme, who is known for directing Silence of The Lambs –which won 5 Academy Awards, including Best Director and Best Picture.

Stop Making Sense will be in theaters for a limited time only. Audiences can go watch the documentary/concert starting September 22nd.

A Girl & Her Guard Dog: New Yakuza Age-Gap Romance Anime Releases Third Key Visual

Project No. 9's A Girl & Her Guard Dog (Ojo to Banken-kun) drops a third visual for the upcoming series.

Project No. 9 has revealed a third key visual before the debut of its new anime series, A Girl & Her Guard Dog (Ojo to Banken-kun).

The studio released the visual through the series' official website. Yoshihiro Takamoto will direct the A Girl & Her Guard Dog series, which features a voice cast that includes Akari Kito as Isaku Sengaki and Yuchihiro Umehara as Keiya Uto. Mai Nakahara and Junya Enoki will voice the characters Kaori Sekiya and Mikio Tanuki. Aya Satsuki is in charge of the series composition, Yukiko Ban is the character designer, and Tsubasa Ito will compose the series' music.

A description of the A Girl & Her Guard Dog story reads, "Isaku never asked to be the daughter of a yakuza boss, but when her parents died in a car accident when she was 5, her gangster grandfather took her in and raised her as part of the clan. After years of being avoided by her schoolmates because of her family ties, Isaku is finally ready to make her high-school debut, live a normal life, and maybe even find love until loyal family servant and Isaku's dedicated guardian, 26-year-old Keiya, enters high school right alongside her and vows to protect her from all of the above! Now she's got a chain-smoking, pistol-wielding knight-in-shining(?)-armor to deal with, and navigating high school besides? What's a young lady to do?"

What to Expect From A Girl & Her Guard Dog

A Girl & Her Guard Dog adapts the manga series of the same name written and illustrated by Hatusharu. The series already has eight manga volumes, which have also been released in English digitally. The show's plot will center around a girl named Isaku, who becomes the daughter of a yakuza boss.

A Girl & Her Guard Dog began in Kodansha's Bessatsu Friend magazine on December 13, 2018. The manga went on hiatus in March 2023 due to Hatsuharu's health. Its first tankōbon volume was released on April 12, 2019. A Girl & Her Guard Dog's manga series has nine volumes thus far.

A Girl & Her Guard Dog premieres September 28, 2023.

Oppenheimer Crosses $900 Million, Set to Become Highest-Grossing Biopic Ever

Christopher Nolan's Oppenheimer surpasses its final box office milestone, as it begins the billion-dollar quest.

Even in its ninth weekend, Christopher Nolan's Oppenheimer keeps on refusing to slow down, at least in the overseas markets. The film has once again piled on its already rich list of records.

The 3-hour-long epic World War 2 drama has officially reached the "Trinity Test" stage of its epic box office run since it managed to cross the pivotal $900 million mark from its Friday performance. While this figure is already more than double what was needed to turn a profit, as well as the early estimations, the film, performing like a major superhero film at this point, has evidently started to chase a few more milestones, beginning with the $1 billion mark.

As of Friday, the estimated total stands at $903 million, with a major share of $586 million contributed by international markets. With Sunday's weekend numbers factored in, industry experts project the global revenue to reach somewhere around $912 million. This monumental success will certainly secure its position as the highest-grossing biographical film in history, surpassing the previous record-holder, 2018 Queen biopic, Bohemian Rhapsody — which also happens to star Oppenheimer actor Rami Malek.

The film's top five performing international markets are the UK ($72.6 million), China ($50 million), Germany ($47.5 million), France ($41.3 million), and Australia ($26.2) million. The film is still steady in China and the market is likely to decide whether it reaches the billion-dollar club. Notably, the film has also drawn Universal Studios into the spotlight, as the studio managed to surpass the $4 billion mark in global box office revenue for 2023.

Universal Has a Great Year at the Box Office

In addition to Oppenheimer, Fast X, The Super Mario Bros. Movie, and M3GAN, have all contributed to Universal's success, as it became only the second studio to achieve this feat in the current year. It also marks the third instance of any studio reaching this milestone since 2019, with Universal achieving it for the fourth time in its history after 2015, 2017, and 2018.

The film also stands as Nolan's third-highest-grossing film behind The Dark Knight Rises and The Dark Knight, as well as the year's third-highest behind Barbie and The Super Mario Bros. Movie. The film is also the second-highest-grossing R-rated film behind 2019's Joker and the highest as a World War 2 film. Additionally, Oppenheimer is also the fifth most successful film in IMAX with over $170 million. What makes this feat even more special is the film is entirely surrounded by superheroes and major blockbuster franchises including Avatar, Avengers, and Star Wars.

Starring a star-studded ensemble of Cillian Murphy, Robert Downey Jr., Emily Blunt, Matt Damon, Florence Pugh, and Rami Malek, among others, Oppenheimer made its international debut on July 21 and has since enjoyed widespread acclaim and commercial success, with numerous critics calling it a front-runner at the upcoming awards season.

Drew Barrymore Defends Return to Talk Show Amid Strikes

The Charlie’s Angels star defends her decision to bring her talk show back on-air despite the WGA strike.

Drew Barrymore has faced a lot of backlash over her recent decision to bring her talk show back on air amid the WGA strike.

The Drew Barrymore show was unique when it first started because, unlike many other daytime talk shows, the writer’s staff was largely union. Now, Barrymore has chosen to bring her show back, despite criticism from fans and her own WGA writers. Per The Hollywood Reporter, Barrymore released a public statement about the situation in a now-deleted Instagram video.

In the video, the actress-turned-talk show host explained her reasoning for resuming production for her show. Barrymore addressed writers and unions, and while she offered her apologies, she affirmed that she will proceed with the decision to bring her show back, noting that many others have been affected. She is quoted as saying, “We aren’t gonna break rules, and we will be in compliance. I wanted to do this because as I said, this is bigger than me, and there are other people’s jobs on the line.”

The Drew Barrymore Show is WGA-contracted and has been off the air since the strike started. The decision to bring it back is a clear crossing of the picket line, according to WGA spokesperson Jason Gordon. "[The Drew Barrymore Show] is a WGA-covered struck television show. It has stayed off the air since the strike began on May 2, but has now (unfortunately) decided to return without its writers," Gordon said. "The guild has, and will continue to, picket any struck show that continues production during the duration of the strike."

The Drew Barrymore Show began airing in 2020, in the midst of the COVID-19 pandemic. The talk show had been in production limbo for some time, due to lukewarm interest from studios, but eventually, it was picked up and produced at CBS. “Since launching live in a pandemic,” Barrymore said, “I just wanted to make a show that was there for people in sensitive times, and I weighed the scales and I thought if we could go on during a global pandemic, and everything that the world experienced through 2020, why would this sideline us?”

Comparisons to Conan O'Brien

Many are comparing the outrage for Barrymore’s decision to the praise that Conan O'Brien received back in 2007 when his show went back on air during the last writers' strike. The major difference between the two is that Conan specifically went back on the air to show how crucial the writing staff is to the quality and success of a show. He would go out every night without a single scripted moment and just riff for the duration of the show, leaving plenty of dead air. It proved that the entertainment that audiences love comes from the hard work that writers do.

Barrymore, on the other hand, will have scripted content on her revamped show, which goes against the WGA’s guidelines, and has gotten her labeled as a “scab” – someone who takes over a union writer’s work responsibilities during a strike.

The MCU's Echo Could Be Phase Five’s Best Hero

While she has a questionable past, Echo could be one of MCU Phase Five's most relatable heroes.

Echo, whose real name is Maya Lopez, is the daughter of former Tracksuit Mafia commander William Lopez. Her first appearance in the Marvel Cinematic Universe is in 2021's Hawkeye, starring Clint Barton and Kate Bishop. However, she isn't one of the good guys when fans first see her. Having been raised by Wilson Fisk (Kingpin), Echo is on a quest to find her father's killer, and her taste for vengeance is just beginning. The unique thing about Echo and the actress who plays her, Alaqua Cox, is they are deaf. She is the first deaf hero to star in her MCU TV show!

In the Marvel comics, Echo is a powerful hero, and while her past is similar to her MCU backstory, fans will have to wait until her series Echo to know more. The series will follow Echo's healing path after believing the man responsible for her father's demise is dead. While her character and personality aren't perfect, she is an authentic representation of the duality many people face in today's society. Below is why Echo could be one of the best heroes of Marvel Phase Five!

Echo’s Powers and Abilities

In the age of representation, a Marvel hero like Echo is excellent for the MCU despite the comic fatigue. The Echo series' grounded and spiritual tone will bring something new to the MCU. Since the MCU's creation, Kevin Feige and his team have done their best to ensure all walks of life are well represented in their TV shows and movies. People of different cultures, ages, and races see themselves in most adaptations of Marvel Comics. However, the most famous representation of people with disabilities is Matt Murdock, a blind lawyer and hero. Echo is here to change that. In the comics and the upcoming TV show, Echo is Native American, deaf, and has super-human abilities. The MCU cast Cox, who is also Native American, deaf, and an amputee. Cox being an amputee didn't stop her from breaking down doors and carrying out the intricate fight scenes in Hawkeye.

Echo's inability to hear doesn't stop her from being a formidable opponent during battle. Her photographic reflex abilities allow her to copy any fight movements she sees instantly. Echo is also a master with swords and staffs, which fans catch a glimpse of in Marvel's Hawkeye. Her skill, however, isn't only in combat. As a leader of the Tracksuit Mafia, she plans and carries out several operations under the guidance of one the most influential people in Hell's Kitchen, Kingpin. Echo's fight with Ronin in Hawkeye is easily one of the best scenes in Marvel Phase Five. Her cold demeanor when shooting her adoptive father, Kingpin, shows how unpredictable she can be. Kingpin's appearance in Echo could be through flashbacks or to set him up for his role in the upcoming Daredevil series.

However strong and capable Echo is, she can still bleed. In Hawkeye, Echo fights Barton and Bishop but manages to escape with only a shoulder wound. Her friend, Kazi Kazimierczak, tends to her injuries, but she is still human and can get severely injured. Echo is tough and invincible on the outside but very bruised on the inside. This vulnerability could change with the MCU writers rumored to give her a new supernatural power in her spinoff series set to hit screens in 2024. Her tough character resembles another Marvel hero, Jessica Jones, who could return in Echo's first season.

Echo’s Past isn’t the Same as Other Marvel Heroes

Most of Marvel's heroes were as close to morally perfect as possible for a long time. The likes of Captain America, who stands for truth and Justice, Thor, who wants the best for his people and earth, and Spider-man, who is trying to balance his powers and personal life, were the standard. While some Marvel characters like Black Widow have a checkered and dark past, Echo's history isn't like any other fans have seen on screen.

Echo comes from a tough upbringing. Her father, one of the leaders of the Tracksuit mafia, raises her, and after his death, Fisk takes her as an adoptive daughter. Growing up in the streets in Hell's Kitchen, she becomes tougher than those around her, especially with her hearing impairment. Echo learns to develop her other senses, which makes her a great fighter and martial artist aware of her surroundings. Her skills and heightened senses are similar to Matt Murdock's Daredevil character, who will also appear in the Echo series. In the comics, Kingpin pins her father's death on Daredevil, sending her on a vengeance spree against the Hell's Kitchen hero. This backstory is slightly changed in the MCU, with Ronin being used to kill her father.

However, Echo isn't the typical hero the MCU promotes. Her methods of justice and fighting to get the truth have put her in the category of anti-heroes like The Punisher returning in Daredevil: Born Again and Jessica Jones, making her more suitable to join The Defenders than the Avengers. Her father couldn't afford to take her to special schooling, so she had to learn in a regular school that couldn't accommodate her specific needs. Echo was tough, and after Fisk raised her in his image, she took over the Tracksuit Mafia. Echo's handling of Clint Barton and Kate Bishop during their car chase in Hawkeye says everything about the crew she was leading.

Echo is One of MCU’s Most Relatable Heroes

Echo is formidable, but her vulnerability and love for the people she cares about will resonate with audiences once her series airs. When she learns that her close friend, Kazimerczak, is the informant behind tipping Ronin, Echo feels betrayed. She has proven that she won’t let any pain stop her from getting revenge. No matter what or who tries to harm her, Echo will always get back up because she is resilient. After the pandemic, people are constantly facing unimaginable situations in their daily lives, and some motivation that things will improve could help Marvel tap back into what Phase Four fans came to love about the MCU.

Echo’s father wouldn’t have wanted this life for his daughter. She deserved to get more out of her life than being part of a mafia. However tragic her past is, she has a new path ahead of her. Kingpin is no longer controlling Echo, and although she started as a villain, she could be one of MCU Phase Five’s main characters that fans will relate to. While it will be challenging to gain the trust of those she’s tried to kill, MCU symbolizes numerous times that everyone deserves a second chance. Marvel’s Echo series could be Echo’s chance to do right by her father’s memory and live the way she wants.

The Wonder Years Reboot Canceled at ABC After Two Seasons

Fans can only wonder what would come next with ABC's Wonder Years reboot as the show has been officially canceled.

ABC has pulled the plug on its reboot of The Wonder Years.

Deadline reports that ABC has officially axed The Wonder Years after two seasons. It's noted that the decision comes after the reboot series ranked as both the lowest-rated and least-watched scripted program on the network this past summer with its second season. Season 2 also reportedly came with a drop in ratings to the tune of 50% with the key 18-to-49 demo, while total viewership was down 25%. Meanwhile, other ABC shows that remain on the bubble with their fates still unknown include The Rookie: Feds and Home Economics.

Saladin K. Patterson developed this new take on The Wonder Years, which is inspired by the original TV series of the same name created by Neal Marlens and Carol Black. The reboot shifts the focus to a new cast of characters, following a Black middle-class family in Alabama during the late 1960s. Elisha "EJ" Williams leads the cast as Dean Williams while Don Cheadle served as the adult Dean and series narrator. The show also starred Dulé Hill, Saycon Sengbloh, Laura Kariuki, Amari O'Neil, Julian Lerner, and Milan Ray.

Fred Savage Was Involved Before Controversy

Fred Savage, who starred as young Kevin Arnold in the original Wonder Years, had personally been very involved in getting the reboot series off the ground. He served as an executive producer (alongside Patterson, Lee Daniels and Marc Velez). Savage had also directed many of the first season's episodes. However, last year it was announced that Savage had been fired from the production following allegations of in appropriate behavior on the set. The series scored its Season 2 renewal just one week after Savage's firing.

Season 2 had also been scaled back significantly compared to the show's freshman season. While Season 1 had 22 episodes, there were only 10 for Season 2. The second season was also originally set for a midseason premiere before getting pushed to the summer, which likely contributed to the show's falling ratings. It's commonplace for shows to be pushed to the summer when they're expected to be canceled, so perhaps many of those involved had already seen the writing on the wall.

In any case, it will be disappointing for the show's fans to learn that there won't be a third season in the works. Both seasons of the new version of The Wonder Years can be streamed on Hulu, as well as on Disney+.

Who are the members of the Banquet in Undead Girl Murder Farce

Undead Girl Murder Farce reimagines literary icons: Moriarty, Jack the Ripper, Aleister Crowley, Frankenstein, and Carmilla as members of the Banquet.

In the shadowy corridors of mid-eighteenth-century Europe, a sinister plot unfolds, weaving together fragmented pieces of literature and lore. Undead Girl Murder Farce plunges the audience into a world both eerily familiar and deliciously witty and original, filled with figures of fabled reputation. At its core, the anime follows Tsugaru Shinuchi, a half-demon killer called Oni, along with Aya Rand, a bodiless great detective who also happens to be immortal, and her servant Shizuki Hasei on their quest to find the mysterious man who stole Rand's body.

Undead Girl Murder Farce's true intrigue, however, arises from the rich characters – literary figures masterfully interlaced within this over-the-top mystery narrative. Central to the plot is The Banquet, an assembly of notorious characters taken straight out from the pages of celebrated literature and urban legend. Whether it's the diabolical intellect of Moriarty, the chilling terror of Jack the Ripper, the enigmatic presence of Aliester Crowley, the tormented genius of Viktor Frankenstein, or the alluring danger of Carmilla the Vampiress – each one has been seamlessly integrated into this riveting murder farce.

Moriarty: From Sherlock Holmes to Aya Rand

In the archives of literary villainy, few figures look as large as Professor Moriarty. Hailing from the ingenious mind of Sir Arthur Conan Doyle, Moriarty stands as Sherlock Holmes' most formidable adversary. His genius intellect, matched with a penchant for malice, solidified his position as a criminal mastermind, orchestrating a vast web of mischief and mayhem from behind the curtains.

Undead Girl Murder Farce offers a thrilling reinterpretation of the iconic Moriarty, as the founder of the Banquet. Here, Moriarty is a man renewed with purpose after escaping from prison. He wants to rebuild his crime empire. However, rather than have it be made of mere men, Moriarty is harnessing the raw and untamed power of monsters. Drawing in those who, like himself, are pushed to society's fringes, Moriarty envisions a radical new world order. Driven not just by ambition but by a deep sense of belonging with his monstrous allies, he seeks to carve out a realm where outcasts rule, and old norms crumble.

Jack the Ripper: A Monster Reborn

In the dark, fog-shrouded alleys of 19th century London, a legend was born, casting a shadow of terror that would endure through the ages. Jack the Ripper, an unidentified serial killer, carved a name for himself in infamy with a series of brutal murders. Despite countless investigations, his true identity remains one of history's most tantalizing mysteries.

In Undead Girl Murder Farce, Jack's legend is twisted into an even more monstrous tale. Under Moriarty's meticulous hand, Jack's been transformed – a product of dark science fusing his very essence with that of a vampire, an Oni, and an immortal. This unholy union of legends has made Jack the Ripper a force of unparalleled might, but one component remains missing: the genetic material of a werewolf. Should Moriarty succeed in procuring it, Jack's transformation into an invincible being will be complete.

Aleister Crowley: A Mystic and Occultist

Aleister Crowley is a figure steeped in mysticism and controversy. Known for his passionate immersion in the world of the occult, Crowley proclaimed himself, "The Great Beast 666" and was central in penning various influential mystical texts. His life, a tumultuous dance of ceremonial magic, hedonism, and spiritual exploration, has left an indelible mark on both literature and legend, painting him as a prodigious mystic.

Aleister Crowley is one of the members of the Banquet in Undead Girl Murder Farce. In his youth, as explained in the mystery anime, he was restless and hopped from one dark cult to another, thirsting for forbidden rituals and hidden powers. Although he dubs himself a magician, his arts are far from mere tricks. While his outward charm might suggest a breezy spirit, beneath it lies a tempest of madness, that has yet to be unleashed. Aleister Crowley is one of the many enigmatic characters in Undead Girl Murder Farce.

Viktor Frakenstein: A Stand-in Hulk

One of literature's most haunting tales, Mary Shelley's Frankenstein, birthed the character of Victor Frankenstein. This ambitious young scientist driven by insatiable curiosity and hubris, pushes the boundaries of nature by bringing life to a creature assembled from the bodies of the dead. But his creation, often misconceived as Frankenstein itself, becomes a testament to the dangers of unchecked ambition and the profound loneliness of existence.

The essence of Victor Frankenstein in Undead Girl Murder Farce undergoes a radical transformation. Rather than the cerebral, tormented creator, he emerges as the monster himself and a hulking force of nature. He is more brute than brawn. This version of Frankenstein is less the mastermind behind the monster and more of a monster himself, reminiscent of Marvel's Incredible Hulk in sheer physical might.

Carmilla the Vampiress: Mistress of Seduction

In the vast realm vampire lore, few characters shine as evocatively as Carmilla. Penned by Joseph Sheridan Le Fanu, Carmilla precedes Bram Stoker's Dracula and is often cited as one of the earliest works of vampire fiction. Set in the eerie backdrop of Syria, the story follows a beguiling female vampire who becomes infatuated with the tale's young protagonist, Laura. Through Carmilla, Le Fanu explores the dual nature of his vampire – both predatory and seductive. This enigmatic figure, with her bewitching beauty and unsettling tendencies, has since become a staple of gothic literature.

In the world of Undead Girl Murder Farce, Carmilla's persona is reinvigorated with a formidable twist. Her vampiric prowess is unparalleled, making her a fierce adversary even for Aya Rand's skillful servant Shizuki Hasei. But it's not just her strength that poses a threat. Carmilla's very blood is laced with pheromones that ensnare victims, rendering them helpless prisoners to their own desires. It's a power that amplifies her seductive nature, turning lust into a weapon as deadly as her fangs. This version of Carmilla isn't just a seductress; she's a tactician, using every tool at her disposal to achieve her dark designs.

As the audience tells deep into the world of Undead Girl Murder Farce, it becomes evident that this narrative it becomes evident that this narrative isn't just another retelling. It's an intentional re-imagining that weaves iconic literary figures into the anime, while breathing fresh life into those characters. From the streets of 19th-century London to the enigmatic realms of the occult, Undead Girl Murder Farce brings together legends and tails, giving them a unique spin. Each member of the banquet, whether it's the reinvented Moriarity or the formidable Carmilla, showcases the anime's genius and blending familiar with the new creating a narrative that is both nostalgic and innovative.

Undead Girl Murder Farce serves as a testament to the timeless appeal of these characters, emphasizing their adaptability across genres and mediums. The anime pays homage to the originals while pushing boundaries, reminding the audience of the infinite possibilities of storytelling. As the quest to retrieve Aya Rand's body and Moriarty's race for the werewolf gene continue, Season One of Undead Girl Murder Farce is sure to surprise, with more twists turns to come.

Which Robin Deserves the Batman Mantle Most?

All the Robins, from Dick Grayson to Damian Wayne, have the skills required to become Batman in the future, but which one has the right to do so?

Batman has had several partners over the course of his storied history, but none are more significant than Robin. Whoever wears that mantle is not only responsible for watching Batman's back while on patrol, but also for reining in the darkness that threatens to consume him every time he puts on the cowl. In short, Robin is the light to Batman's darkness, bringing joy and hope where Batman brings fear. Each of the young men he has worked alongside has fulfilled this role in their own unique way. Yet, which one of them will take over as Batman once Bruce Wayne leaves the role?

DC has given fans glimpses of what each Robin's version of Batman could look like, and even that is incredibly varied depending on the circumstances of their lives, alternating between heroic or outright villainous. The question isn't: which Robin will become Batman? Rather, which one is most deserving of becoming the Dark Knight?

Nightwing Is Everything Batman Was Supposed to Be

Starting with the obvious, Dick Grayson, aka Nightwing, is the front-runner for the position should Gotham need a new Batman. Bruce has actively stated that Nightwing is everything Batman was originally intended to be for Gotham; someone who can inspire fear in criminals, but also hope in the average civilian. Bruce's own demons and his personality quirks make it hard for him to do the latter. Even though people believe in Batman, it is hard to see him as a shining beacon of hope when compared to Nightwing, who is actively taking a leadership position within the superhero community, rallying the heroes during Dark Crisis and leading the Titans as they replace the Justice League, while Batman seems to be in a continued decline.

Nightwing already has experience acting as the Dark Knight, having done so when Bruce was lost in time following his confrontation with Darkseid in Final Crisis. Dick filled the role quite admirably, with Bruce admitting that people prefer Dick's Batman to his. In this role, Dick wasn't a grim Dark Knight, but someone who could work more easily with others, while still bringing the same level of dedication and skill to the table as Nightwing.

However, the one counter to the case for Nightwing to one day become Batman: he doesn't want to be the Dark Knight. There was a time when Nightwing may have expected to be Batman, but as he grew up his perspective and desires changed. While he admires Batman and loves him as a father, Nightwing wants to chart his own course as a hero rather than take up another person's mantle.

Red Hood Would Be a Deadlier Batman

Despite his often antagonistic relationship with Batman, Red Hood does have the skills necessary to be the Dark Knight, and he brings other qualities to the table that make him unique among his brothers. For starters, he has the same level of training as any of them, so there is no question of his competence. He has trained alongside Batman and even the League of Assassins for a time shortly after his resurrection following A Death in the Family.

What makes Red Hood unique though is that he has a grounded perspective that Batman can lack at times. Having grown up on the streets, Red Hood understands the plight of Gotham's less affluent citizens, and thus can understand what the people need better than Batman can. This fact is one of the major reasons for their latest dispute.

Unfortunately, Red Hood has a tendency to use lethal violence. Red Hood has a history as a killer, and has proven in the past that he could become a murderous Batman if left unchecked. While he has grown since then, he has a hard time upholding Batman's one rule, and his own personal traumas often override his decisions. Additionally, Jason Todd seemingly disagrees with Batman, joining Catwoman's side in the upcoming Gotham War event.

Tim Drake Is a Better Detective Than Batman

Tim Drake can rival Batman's skills as a detective, and even exceed them. He proved his keen analytical mind when he deduced Batman and Robin's true identities based on context clues alone. More than that, Tim is the only Robin to volunteer for the position without personal loss as his motivation.

That generosity has guided Tim throughout his career as Robin and Red Robin. He has even earned the respect of the likes of Ra's al Ghul, who gave him the nickname "Detective," something he only reserved for Batman. Despite all his training and accomplishments though, Tim Drake is not the ideal Batman candidate.

In a possible future where he becomes Batman, Tim is incredibly violent, and even willing to attempt to kill a child who could become a potential threat. The pressure of being Batman ultimately causes him to go down a dark path. Tim Drake is only just learning how to put his own needs first for a change, and is realizing that to move forward he must form his own identity independent of his family's legacy so that he may have a better chance of helping others and being happy.

Damian Wayne Is Technically Batman's Heir

Damian Wayne currently fills the role of Robin, and there is a lot of evidence to suggest he is the logical heir to Batman. Aside from being Batman's biological child, Damian is technically ahead of all his family in regard to his training, having been trained by the League of Assassins almost since he was born. While he doesn't have as much experience as his fellow Bat-Family members, this gap is rapidly closing as Damian continues to grow.

What truly sets Damian apart from his older brothers though is his own personal development. When Damian first entered Batman's life, he was a spoiled brat who was ready to deal out death to whoever he thought deserved it. With time and a lot of patience, he has grown into a more compassionate young man who has fully adopted Batman's rules as his own because he believes in them. He has even started to try and connect with others more, forming healthier relationships than his father ever had.

Most importantly, Damian wants to become Batman, not because he feels he is owed it, but because it is a representation of his progress. To become Batman is to finally prove that he has risen above his dark origins and become a hero just as good as his father. Unfortunately, there is some evidence to suggest that depending on the events of his life, Damian could either become a corrupted Batman, or one willing to sacrifice himself for those he loves. Damian is, unfortunately, very much a coin that could land on the wrong side if pushed far enough. Having said that, his friendship with Jon Kent, his role as Teen Titans leader, his new life as a high school student and his complete faith in Batman in the upcoming Gotham War event all suggest that Damian is well on his way to becoming the future Batman, a role his Bat-Family brothers either don't want or aren't as qualified for.

The MCU Isn't the Perfect Template for the DC Universe - But Another Franchise Is

The DC Universe is set to avoid the mistakes of the DC Extended Universe, and following the Conjuring Universe's template is the best way to do so.

Created by James Wan, the Conjuring Universe is easily one of the most successful shared universes in the past decade. In that, several other attempts at cinematic universes have come and gone, but these horror movies (based loosely on the real-life cases of demonologist couple Ed and Lorraine Warren) have remained a firm fixture at spooky season and at the box office. Ironically, the Warner Bros. films might offer the best way to handle another franchise from WB.

The rebooted DC Universe begins in 2025 with Superman: Legacy, and the goal is to succeed where the previous DC Extended Universe failed. The most obvious source of successful inspiration is Marvel Studios' Marvel Cinematic Universe, but trying to emulate these movies only doomed the DCEU. Instead, the new DCU might be better served by sticking close to the formula of the Conjuring Universe.

The Conjuring Universe Succeeds Due to Its Unique Interconnectivity

The Conjuring Universe began in 2013 with the release of The Conjuring, with the recent The Nun II being essentially a 10th anniversary release. Based around the exploits of the Warrens, the movie was seen by many as a revival of horror after a period dominated by less-than-successful slasher movie remakes. A year afterward, the first Annabelle movie released, with the possessed doll having debuted in a scene in The Conjuring. Two more Annabelle movies were later made, with The Curse of La Llorona and the two Nun movies currently being the other spinoffs. There were also two more main Conjuring movies, with another on the way.

These movies are unique in that they tie into each other without being overbearing in their continuity. For instance, the first two Annabelle can be watched independently of The Conjuring, as can the Nun movies and The Curse of La Llarona. While these movies all build upon characters and concepts introduced in the main movies, they're accessible on their own. In fact, La Llorona is almost entirely removed from the other films' stories beyond a brief appearance from the Annabelle doll and Father Perez. Thus, watching the entire universe is a "plus" and not a must, allowing viewers to skip movies if they so wish.

The Marvel Cinematic Universe Lives and Dies by Connection

The Marvel Cinematic Universe wasn't the first shared cinematic universe, but it was the first one to display the level of scale seen in the movies. For instance, these films were building up to the first Avengers movie starting with the post-credits scene of Iron Man. From there, The Incredible Hulk, Iron Man 2, Captain America and Thor finished the bridge to the ambitious 2012 crossover event. From there, other Marvel characters were showcased in sequels, spinoff movies and other works. The universe that began with the fairly grounded first Iron Man movie eventually led to the cosmic comedy Guardians of the Galaxy, with these title characters and others uniting in the epic Avengers: Infinity War and Avengers: Endgame.

Such interconnectivity has put the MCU on the map, making each movie a must-see. This was particularly easy when it was apparent that these films were clearly building into something grander. Unfortunately, that sentiment hasn't been as stronger after Avengers: Endgame, especially since that movie was seen by some as a "jumping off point" to stop following the MCU so closely. It didn't help that Marvel Studios inundated audiences with a seemingly endless array of entertainment, with the Disney+ streaming service becoming home to numerous Marvel Cinematic Universe shows. Worst of all, these weren't the "options" they were touted to be, with WandaVision and arguably the first season of Loki necessary to understand elements from the movies Doctor Strange In the Multiverse of Madness and Ant-Man and the Wasp: Quantumania.

Audiences were used to the MCU gearing up for a big crossover, yet nothing of the sort has happened since the end of Phase 3. Likewise, the downward trend in the quality of some of Marvel Studios' entertainment makes it even easier for some to skip certain projects or move past the shared universe entirely. Ironically, even some of the more disappointing Marvel Cinematic Universe movies were better received than the worst-reviewed Conjuring Universe movies. In the case of the latter, however, those movies were made on fairly small budgets, making them turn quick and hefty profits. Likewise, they were never advertised as being integral building blocks of a universal story, which actually made them easier to enjoy since there was no narrative need to watch them in order to enjoy other movies. It almost sounds counterintuitive, though the method might actually help DC new movies get off the ground.

The DCU Can't Afford to Collapse Under a Weight of Continuity

The DC Universe is starting rich right out of the gate, with Superman: Legacy introducing several DC heroes that aren't related to the Man of Steel. James Gunn has stressed that this isn't a backdoor pilot for spinoff movies, and that's for the best. It's also quite like how the Conjuring Universe grew. While Annabelle got her own spinoff movies, this felt organic and not "forced" like some shared universe entries do. That was especially the case with The Curse of La Llorona, which wasn't directly spun off from the events of any previous Conjuring Universe movie. There's already an entire slate of DC Universe movies and shows announced, and none of them seemingly tie into each other in a dramatic way.

There will likely be cases where fan demand illustrates how viable a project might be, and this is probably the only time that sequels or direct spinoffs should be made. That way, the DC Universe can avoid any projects that make consumers question the existence of, which has become the case with past DC movies and especially certain Marvel Studios movies and shows. Allusions can be drawn to the Conjuring Universe once again, as many fans have been demanding a movie detailing the origins of the demonic samurai armor seen in the Warrens' possession. While it's strange that such an interesting concept hasn't been expounded upon, it shows the restraint of the Conjuring Universe's producers in making spinoffs.

Most importantly, a major crossover or event in the vein of Thanos needs to be held off for a while until the universe truly finds its footing. Rushing to imitate the MCU was a big problem in the DC Extended Universe, and such a jarring shift after the universe's dour early entries left it without a central identity. Thankfully, James Gunn's intentions are for each movie and character to have their own tone and scope. This way, the DCU won't come off as an assembly line of similar movies, and with the tonal dissonance at hand, audiences might be less interested in crossovers and more attuned to simply seeing each movie become its own strong franchise that just happens to share the same world as others. That sentiment is exactly why each entry in the Conjuring Universe is able to connect with those who've never seen the other movies, and it might be a way for the DCU to similarly carve its own niche among the superhero movie competition.

The Nun II is now playing in theaters.

D&D: What to Know Before Running Lost Mine of Phandelver

Lost Mine of Phandelver is a perfect adventure for first-time players and DMs. However, there are some things you should know before running it.

When starting out, the task of running a game of Dungeons & Dragons can be intimidating. This leads many novice Dungeon Masters to choose a pre-written adventure for their first campaign. A premade D&D 5e module can reduce prep time and the mental overhead involved in DMing and still be customized to suit the table's tastes. Lost Mine of Phandelver is no longer the go-to introduction, having been replaced with Dragon of Stormwreck Isle in the new starter set. Nonetheless, it's worthy of consideration for a group's first adventure.

Lost Mine of Phandelver is a single adventure spanning levels one through four and split into four chapters. It goes from a simple job escorting cargo, to clashes against local goblins and ruffians, to plunging through the fabled Wave Echo Cave against a sinister mastermind. Lost Mine of Phandelver is so iconic that D&D 5e is returning to its setting in Phandelver and Below: The Shattered Obelisk, its latest premade adventure.

Updated September 15th by Isaac Williams: Lost Mine of Phandelver remains one of D&D 5e's best premade campaigns despite its age. It's a starting step for new players that remains fun for veterans. As D&D 5e prepares to revisit the area in Phandelver and Below: The Shattered Obelisk, this list has been updated to give even more information on how to run the Lost Mine of Phandelver premade module.

Who Will Enjoy Lost Mine of Phandelver?

Lost Mine of Phandelver is a simple adventure, with only a few factions to keep track of and a direct, straightforward set of goals every step of the way. As befits a starter set adventure, this makes it ideal for a new group of players. However, as one of the first adventures published for D&D Fifth Edition, it does suffer from some balance issues.

For instance, the first few encounters -- before the players even move past level one -- are notoriously deadly. Even after the players have gained some power, they'll have to contend with an extraordinarily powerful green dragon in Chapter Three. While these are not inherently bad (and can actually present opportunities for DMs to come up with a creative approach to otherwise deadly encounters), the book does little to guide new DMs into anything but combat.

This means that Lost Mine is best suited for a group of new players who need a simple, straightforward introduction to D&D, but it works best in the hands of a DM who is comfortable tweaking the balance of encounters, guiding and encouraging players towards unorthodox and diplomatic solutions when outmatched, or both. While an experienced party could likely handle the entire adventure relatively easily, the target audience might find themselves overwhelmed by difficult fights if the DM doesn't use their best judgment to lower the difficulty.

Tips For A New DM Running Lost Mine Of Phandelver

Lost Mine of Phandelver can be run and enjoyed by any D&D 5e table. However, it's specifically-designed as a premade D&D 5e campaign for new players and potentially new DMs. It leans into traditional adventures, a straightforward narrative, and a gradual introduction of mechanics. New DMs might need more tips beyond those offered by the Lost Mine of Phandelver book.

Lost Mine of Phandelver is meant to take a D&D 5e party from first level to fifth, with the players achieving this final milestone as they emerge victorious. This is a substantial increase across a single adventure that can leave players out of their depth if they miss some experience. As a rule of thumb, players should hit level two upon reaching Phandalin, level three after defeating the Redbrands, and level four before they enter Wave Echo Cave.

Brand-new DMs who have never played D&D before might struggle with the rules and flow of combat. Some of this is natural and expected for new DMs. However, it can be worth a DM running through the first encounter in 'Chapter 1: Goblin Arrows' a few times by themselves, playing both sides. This helps them get used to combat's base mechanics and ensures they won't be left scrambling while trying to help new players learn.

It's well worth reading Lost Mine of Phandelver all the way through once before running it. This is easier than with most other modules due to its short length. Then, the DM should read each chapter and area again before the players reach it in a session. This way, they effectively revise information they already know rather than scrambling to internalize new rules and storylines as they go along.

Lost Mine of Phandelver offers players a lot of quests upfront, particularly once the players have defeated the Redbrands. A DM shouldn't feel obligated to maintain this sandbox structure if they're having trouble keeping the quests straight. It's entirely valid for someone new to D&D 5e to offer the players the quests one at a time until the players find Wave Echo Cave.

Important NPCs In Lost Mine Of Phandelver

Lost Mine of Phandelver comes complete with a quest hook centered on the dwarven explorer Gundren Rockseeker. He commissions the party to meet him in Phandalin. However, Gundren is nowhere to be found when the party arrive, having been kidnapped by the goblins of Cragmaw Castle. Finding him can be one of the adventure's overarching plot threats.

The first chapter introduces two more notable NPCs. Klarg is the leader of the goblins at Cragmaw Hideout, a vicious bugbear who speaks about himself in the third person. He's the biggest antagonist on the player's journey to Phandalin. Sildar Hallwinter is Gundren's friend and a prisoner of the goblins. If freed, he can become an ally throughout Lost Mine of Phandelver.

'Chapter 2: Phandalin' introduces many questgiver NPCs in Phandalin. However, the conflict with the Redbrands takes center stage before the PCs can explore these opportunities. Halia Thornton is the only one who can take center stage in the conflict. She aims to use the NPCs to decapitate the Redbrand leadership and let her take control. Iarno Albrek is a traitor to the Lords' Alliance who doubles as Glasstaff, the Redbrands' leader. He sends his soldiers after the party to try and drive them out of Phandalin.

'Chapter 3: The Spider's Web' lets players follow up on the plot threads they may have heard of when first exploring Phandalin. As a result, many of the townspeople become more prominent. Reidoth is a new NPC who stands out. He's an antisocial druid who can point the players to Cragmaw Castle. If they ask him to guide them to Wave Echo Cave, he has them face off with a dragon first. King Grol is the ruler of Cragmaw Castle who works for the Black Spider. He's an old and powerful bugbear who is happy to fight the party head-on but will attempt to intimidate them first.

The Black Spider is Lost Mine of Phandelver's overarching antagonist and the most notable NPC in Wave Echo Cave. He's a drow agent hoping to secure the cave, its secrets, and the mine for himself. Despite being prepared to kill the party, the Black Spider wants to learn all he can about them at first. Wave Echo Cave also has Mormesk the Wraith, leader of the dungeon's undead who can be bribed into not attacking. It also contains Nundro Rockseeker, Gundren's surviving brother.

Combat In Lost Mine Of Phandelver

Lost Mine of Phandelver has been designed as an introductory campaign for D&D 5e, and it shows. Most of the combats are very manageable. Players fight small groups of humanoids or other creatures at a suitable level. Most of Lost Mine of Phandelver is well-balanced for the players to overcome. With a bit of clever thinking, players might even trivialize a few fights.

However, not every fight is well-balanced. Lost Mine of Phandelver even opens with a notoriously lethal goblin ambush. Due to the ranged nature of the battle, the potential for surprise, and the fragility of first-level D&D 5e characters, players might go down before they can even take a turn. It can be worth pulling punches in this initial battle.

There are some other significant speedbumps in Lost Mine of Phandelver. Venomfang is a young green dragon whom level three players might pick a fight with. The goal isn't to kill him, but to drive him off. Nonetheless, a single breath weapon can theoretically down an entire party. Wave Echo Cave can have the players outnumbered by ghouls who can inflict paralysis, or taken out by a fireball from its one flameskull. Players should tread cautiously in these encounters, and the DM might not want to play for keeps.

Lost Mine of Phandelver also often encourages players to find alternate routes besides killing everything. Many of the fights in the Redbrand Hideout or Cragmaw Castle can be avoided or delayed through deception and disguise. Several NPCs can be reasoned with, intimidated away, or even bribed into not fighting. Agatha, a D&D banshee monster, will refuse to fight altogether. A nonviolent solution is the only way to progress her quest.

Treasure And Rewards In Lost Mine Of Phandelver

Lost Mine of Phandelver is open-handed with rewards. Notably, gold flows heavily throughout the adventure. In total, an adventuring party can get over 5000 gold pieces if they do every quest, find every reward, and sell everything non-magical they can get their hands on.

Lost Mine of Phandelver also offers players many of D&D 5e's magic items to start their adventuring career. It has many Potions of Healing and others like Invisibility, Vitality, and more. Later on, scrolls also become commonplace consumable items, even offering powerful D&D 5e spells like Fireball, Lightning Bolt, and Revivify.

There are even enchanted items up for grabs. Lost Mine of Phandelver contains three +1 weapons of different types, some of which have additional features. There's also a +1 Breastplate meant to fight dragons. A Staff of Defense, Boots of Striding and Springing, Ring of Protection, Gauntlets of Ogre Power, and a Spider Staff add to the many D&D 5e magic items that thorough players can find.

Not all rewards are material. Lost Mine of Phandelver has several Phandalin NPCs offer players membership in organizations like the Harpers or Zhentarim in reward for their efforts. This comes with few upfront benefits, but connections and influence can pay off greatly further down the line. The Rockseeker brothers also give the players a 10% stake in their mine, becoming a valuable source of future profit.

Enterprising players might seek other opportunities themselves. For instance, nothing stops players from taking Cragmaw Castle for their own base of operations and becoming powerful political players in the area. Likewise, they can attempt to rebuild Thundertree after driving off its threats, potentially setting up a rival town to Phandalin.

Lost Mine of Phandelver Has Some Narrative Dead Ends

Lost Mine of Phandelver has several encounters that, while interesting, don't offer anything else to players who try to dig deeper. Between a power struggle for control of a goblin tribe, strange nothic in a bandit hideout, and the dragon that might be driven off by the party, there are a few significant encounters that are never referenced again, even when it seems like there should be more payoff or foreshadowing involved.

Take, for instance, the dragon -- a challenge rating 8 creature being fought by a level three party. Despite serving as a major, potentially deadly, challenge, it simply exists with no ties to the greater story. If the party drives it away, it's never heard from again, and the adventure never addresses the possibility of speaking with it.

These dead-end encounters, many of which seem ripe for tying into the greater narrative, can be fixed easily enough by a skilled DM altering the existing narrative. However, requiring such a skill in the first place is a bit of a detriment to its newcomer-friendly packaging. Still, Lost Mine functions well enough without weaving all of these dead ends back together, so long as players are satisfied with the encounters themselves.

Lost Mine of Phandelver Is Only a First Step

Ideally, Lost Mine of Phandelver should be used as the first adventure in a long-running campaign. Between the possible escape of a vengeful green dragon, a huge monetary reward (including a percentage of the profits from the newly reopened mine), and even a map that the book encourages DMs to use as a hook for future adventures, this is intended to be a launching point for the party's further adventures. In this it excels, offering plenty of room for a DM to string together more published adventures or start writing their homebrew content.

As long as the DM is wary of unintended difficulty spikes and is mindful in planting the seeds for further adventures, Lost Mine of Phandelver can be a phenomenal first foray into D&D. A simple, straightforward adventure with a satisfying conclusion is all the game needs to hook new players, and Lost Mine delivers that while still allowing for the further development of more complex adventures as the party and players both grow in experience.